嫂子的工作
一曲突破人倫的戀歌，性感卻欲求不滿的嫂子、敬重但性功能缺失的哥哥、年輕而富有活力的弟弟，這樣人物設置為后來劇情發展鋪墊地近乎完美。男主的幾番思想博弈后，屈服于自己內心的欲望，成熟而富有韻味的嫂子象征性地一番拒絕后，也遵從了身體的感受。當男主進入嫂子的身體的那一刻，相信性愛的歡愉讓他們都有了掙脫一切枷鎖的勇氣與力量，而影片也并不是羅列式展示性愛的姿勢，其做愛的姿勢很容易讓人體會到他們情感遞進的層次，第一次突破禁忌時，女人更渴望男人盡可能的深入，而后的早晨女人的挑逗和廚房里男人的迫不及待，讓彼此都體會到自己在對方心目中的重要，等到哥哥遠行之后，他們使用性玩具，并將自己做愛的場地遍布房間的角落更顯示了性愛是他們當下熱烈愛情的有力表達。最后的結尾顯示了主創還是要將價值觀回歸倫理的觀念，頗為用心了艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan
即刻觀影
劇情賞析
編輯推薦
征服者2
蘭維爾·辛格,阿克夏耶·坎納,桑杰·達特,阿俊·拉姆鮑,馬達范,莎拉·阿爾瓊,Rakesh Bedi,Danish Pandor,Saumya Tandon,高拉夫·杰拉,Manav Gohil,Naveen Kaushik,阿卡什·庫拉納,K Anshuman Thakur,Vikash RaiHamza Ali Mazari, whose real identity is Jaskirat Singh Rangi, pursues his undercover operation within Pakistan's criminal world while tracking down Majo.
我家的事
藍葦華,高伊玲,曾敬驊,黃珮琪,朱羿銘,姚淳耀,嚴藝文,鄭有杰一個家就是一個四季，每個家都有不能說的秘密。追尋身世的姊姊、艱辛求子的媽媽、天兵闖蕩的弟弟、試圖逆轉人生的爸爸，有歡聲笑鬧，也有哭泣仿徨，直到微光照進幽暗的心房。改編自短片《姊姊》，導演潘客印首部長片以不同家人視角，編織一部動人小品，勾勒平凡臺灣鄉間家庭橫越24年的鮮活畫像。藍葦華、高伊玲、曾敬驊、黃佩琪共組一家四口，串起四段時光的悲喜往事。
暗黑女子
千眼美子,飯豐萬理江,清野菜名,玉城蒂娜,小島梨里杏,平祐奈,升毅,千葉雄大《暗黑女子》改編自秋吉理香子的同名人氣推理小說，描述了女子高中美少女白石逸美神秘死亡以后，逸美同校文學部的少女們，開始以她的死亡為主題，各自發表了檢舉犯人的作品。由清水富美加和飯豐萬理江擔任雙主演，由《百瀨，朝向這邊》、《戰神：只是愛著你》的導演耶云哉治執導。 影片《暗黑女子》是一部由耶云哉治執導的影片，該片于2017年4月1日本上映。 本片圍繞基督教名媛學校圣母瑪利亞女子高等學院的理事長之女、全校同學羨慕的物件——白石逸美（飯豐飾演）神秘死亡的故事展開。 好友澄川小百合（清水飾演）代替逸美，繼任了文學小組的會長而被成員們懷疑。她為了查明逸美死亡的原因并找出真兇，讓成員們寫關于「逸美之死」的小說，然后大家一起摸黑開朗讀會。 清水富美加飾演文學部部長澄川小百合，白石逸美則由飯豐萬理江出演。千葉雄大飾演的北條老師曾是學校文學部的顧問，因向身邊工作人員講猥瑣話題被趕走，實際上擁有不為人知的秘密。 其他角色方面，保加利亞留學生狄安娜?迪切瓦由玉城蒂娜扮演，清野菜名出演作家高岡志夜；夢想成為甜點師的小南彩音由小島梨里杏扮演，總是為獎學金而焦慮的二谷美禮由平佑奈扮演。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
審判游戲
阿米達普·巴強,埃朗·哈斯米,Krystle D'Souza,雷亞·查克雷伯蒂An 80-year-old man with a penchant for real life games in a story about rights and wrongs. It's a story about the decisions one makes in their lifetime and the fact that every decision has its repercussions, hearing and judgment.
群鳥之地
卡卡琪,梅蘭妮·斯科洛凡諾,凱絲琳·蒙露Sheila Hood is an ex-cop whose marriage is on the rocks. Rather than confronting her husband about an affair, she hides surveillance cameras in her home and watches his transgressions, becoming a voyeur of her own life. Her husband, Tom Kale, is an ornithologist who begins an affair with an ex-girlfriend, Merle James, whose beauty and fragility echoes that of the birds he studies. Ray Starling, the charismatic owner of a boutique hotel, is Merle’s lover, and has dealings with her father, Mr James, a powerful oil baron who operates in the shadows but whose influence touches the whole city. Merle’s younger sister, Hazel, is also drawn to Tom, but trapped in Starling’s web of power. Calvin is an cop whose loyalty to his ex partner, Hood, is tested when mounting evidence from her own surveillance tapes connects her and Tom to Starling’s murder, and perhaps even Merle’s mysterious death.