破事兒
彭浩翔用試圖他的“破事兒”去解釋現代人生活中的困惑或出路艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan 功德心 Jason(陳冠希飾)在酒吧向美女Shirley(鄭融飾)搭訕時說,他其實很有公德心。因為每次小便時他都會用小便順便將廁所內的糞便殘跡沖走,實在幫了清潔工人一個大忙。 做節 阿富(陳奕迅飾)和慧英(陳逸寧飾)相識一個月后開始同居,令阿富萬萬沒想到的是慧英竟然不贊同婚前性行為。這讓每晚和慧英睡在一起的阿富備受煎熬。終于,在一個圣誕節,他和慧英用另一種方式解決了問題。 增值 阿澤(杜汶澤飾)經常在明哥的介紹下到酒店去嫖娼,至于明哥是誰,他見都沒見過。一次,阿澤經明哥介紹去酒店和一名上海來的女孩(張錚飾)開房,完事后,那女孩請阿澤幫她充值電話卡,只因她聽不懂粵語。隨后,阿澤來到了女孩常去的賓館對面的面店吃面,他忽然記掛起那一位來港謀生的上海女孩。 尊尼達 黃生(金培達飾)是殺手集團的VIP,一次,殺手集團送給了他一張禮券,憑券可免費殺一人,不過免費殺的那個人他們會派殺手學員去殺,以達到實踐目的。樂仔(余文樂飾)就是其中一名學員,他被派去謀殺保齡球場經理。關鍵時刻,樂仔的收工時間到了。 大頭阿慧 學生阿琪(鄧麗欣飾)和大頭阿慧(鐘欣桐飾)是好朋友。車房修理工飛鷹(麥浚龍飾)追求阿慧,阿慧問阿琪意見,阿琪隨口就說好,因為她想阿慧拍拖后不會再經常煩她。阿慧就真的拍拖了。隨后,阿慧有了飛鷹的孩子,本想向阿琪借錢打掉,阿琪因為要存錢和男友去旅游,就叫阿慧和飛鷹結婚吧。阿慧就真的結婚了。隨后阿琪也有了孩子,她的男友不顧而去,剩低阿琪一人做未婚媽媽。而飛鷹和阿慧結婚后,事業青云直上。阿慧成了最幸福的女人。 德雅星 雜志社員工的阿池(關智斌飾)為了討女友德雅歡心,向雜志社編輯(譚耀文飾)說謊,把一顆星體的命名權送給了她,自此這顆星正式命名為德雅星。后來移民到德雅星上的居民,為了這個命名,總帶著一份宗教性質的原罪感。彷佛這個星球的名字,跟他們的生活空間一樣,是透過欺騙而得來的。 不可抗力 陳教授(陳輝虹飾)和太太(田蕊妮飾)一直過著幸福的生活。最近二人因生活瑣事而發生爭吵,關系變差。於是他們決定去看心理醫生(林海峰飾),解開夫妻關系中的困惑。最后二人發現,即使朝夕相對,彼此間卻暗藏著一條很深的鴻溝。
即刻觀影
劇情賞析
編輯推薦
偽鈔重案
吳樾,譚凱,包貝爾,修睿,王李丹鈮,梁頌晴,雷牧,好奇,沐嵐,王蘊凡,郭桐溪上世紀九十年代,特大偽鈔案暗流涌動,社會動蕩不安。退役散打王鄭明為救治白血病女兒,意外踏入兇險的偽鈔產業鏈,在生死邊緣掙扎求生。刑警謝家同誓破偽鈔源頭,二人從針鋒相對到暗中周旋,上演貓鼠博弈。鄭明在暴利與良知間反復拉扯,暗中向警方傳遞線索,試圖戴罪立功。當他決心交出核心偽鈔母版、徹底脫身時,女兒卻被綁架要挾。絕境之下,他與謝家同放下隔閡,聯手出擊,在宗族宗祠與民俗游行中展開終極血戰,搗毀龐大偽鈔帝國,以熱血捍衛正義與親情。
咒書遠古魔
Amir Nafis,Bidin Al ZaifaTwo friends work as cleaners whose jobs are to clean homes and places where people have died or dead bodies are found. One day, they are tasked with cleaning a house where there were three dead bodies inside. Their job is to clean the corpses that have rotted. When they arrived there, they found that there are strange things happening and then they discover a strange book.
試鏡109
正宇,鄭秀晶《風愿》的續集。
黑暗深處
塞繆爾·勒·比漢,阿米爾·艾爾凱塞,讓-雨果·安格拉德,托馬·索利韋爾,迭戈·馬丁,布魯諾·桑切斯,馬克·里索,安托萬·巴斯勒,Wabinlé Nabié,Rachid Guellaz,Mohamed Aroussi,米卡埃爾·菲圖西,Arthur Guivarch,Carl Laforêt,Yves Turi,菲利普·托雷頓菜鳥上班第一天就聽到老鳥說,最近礦場有人失蹤或重傷。礦場老板告訴他們,只要查明真相愿意給予豐厚賞金。在來到事發礦區后,他們卻看到白骨與干枯血跡。嚇得一群人試圖回到地面,卻發現入口意外被堵死,同伴還被嗜血怪物襲擊。漆黑的地下,怪物在身后逼近,他們能否就此逃脫,誘惑是成為怪物口中的佳肴?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
死人開關
比爾·斯卡斯加德,戴克·蒙哥馬利,阿爾·帕西諾,加利·艾爾維斯,科爾曼·多明戈,米哈拉·赫羅德,約翰·羅賓森,喬丹·克萊爾·羅賓斯,肖恩·麥克布萊德,John N. Dixon,Casey Feigh,Eric Severs,斯蒂芬妮·伯托尼,Andy S. Allen,Neil Mulac,Katie Kinman,Todd Gable,Don Overstreet,Mark Helms,Kevin Ragsdale故事發生在1977年2月8日,圍繞一名44歲的前房地產開發商Tony Kiritsis展開。他用槍劫持了貸款公司總裁Richard O. Hall,并在其身上綁了一個“死亡開關”,以此脅迫這位總裁在幾近零度的天氣里當著警察和記者的面穿過市中心的街道。