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　　梧桐中學高二十八班是遠近聞名的問題班級，后進生、藝術生、體育生、不良少年聚集在此，以宋宸（柯焱曦 飾）為首的男生幫派和以秦淼淼（熊婧文 飾）為首的女生幫派互相不服，班級混亂無序。一天，高二十八班收到了一封信，這封信自稱是由一年后的他們集體寄來。信上說，即將調來的班主任譚 睿明（秦海 飾）會改變十八班，成為對他們最重要的人。然而在一年后的未來，譚老師卻永遠地離開了他們。為了實現一段沒有遺憾的青春，扭轉歷史，少年們決定按照信上所說，挑戰一個個不可能實現的任務...

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何熙維,馬國偉,段瓊,趙東飛,沃志強,李桃

　　東北小鎮，白事先生張英豪和賣狐皮的王元順意氣相投。但背地里王元順卻與張英豪的媳婦李文紅有染。李文紅懷上了王元順的孩子，王元順決定殺死張英豪。然而他雇傭來的殺手竟屢屢失手。王元順殺人不成反被殺手訛錢。無奈之下，他開始挑撥殺手們的關系……一年后，一具尸體驚現廢井。警方確定王元順有重大作案嫌疑。可王元順卻已離奇失蹤，仿佛人間蒸發……

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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.