男情難了
故事發生在1952年的魁北克，主教畢羅渡（MarcelSabourin飾）遭到了囚犯們的軟禁，他們只有一個請求，那就是希望畢羅渡能夠將他們自導自演的一出根據真實事件所改編舞臺劇看完。 舞臺上，美麗的少年西蒙（奧伯特·帕拉斯西奧AubertPallascio飾）同落魄貴族瓦利耶（丹尼?吉爾摩爾DannyGilmore飾）相遇了，相同的性別并沒有撲滅兩人之間激情的火花，隨著時間的推移，他們的愛情愈演愈烈。一個神秘的男孩（MatthewFerguson飾）將這一切都看在眼里，心中充滿了嫉妒的他縱火困住了西蒙和瓦利耶兩人。結局是，瓦利耶死了，西蒙則被神秘男孩指認為兇手被判入獄。如果劇中的人物都真實存在，那么那個神秘的男孩究竟是誰呢海外影視
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與祖國同在
諾埃爾·考沃德,約翰·米爾斯,伯納德·邁爾斯,西莉亞·約翰遜,凱·沃爾什,喬伊絲·凱里,德里克·艾爾菲斯通,邁克·懷爾登,Robert Sansom,菲利普·佛倫德,Chimmo Branson,巴拉德伯克利,Hubert Gregg,詹姆斯·唐納德,邁克爾·惠特克,Kenneth Carten,約翰·瓦利,Caven Watson,杰弗里·希伯特,弗雷德里克·派珀,萊斯利·德懷爾,John Singer,John Boxer,約翰尼·斯科菲爾德,沃爾特·菲茨杰拉德,杰拉爾德·凱斯,丹尼爾·梅西,Ann家弒服務
西德尼·斯維尼,阿曼達·塞弗里德,布蘭登·斯克萊納,米凱萊·莫羅尼,伊麗莎白·珀金斯,梅根·弗格森,艾倫·塔瑪基,印第安娜·艾爾,伊萬·阿馬羅·布隆,莫瑞·金斯堡,多恩·迪皮塔,阿萊娜·蘇格納,阿拉貝拉·奧利維婭·克拉克,馬特·沃爾頓,阿曼達·喬伊·埃里克森,布賴恩·D·科恩,索菲婭·邦內爾,凱倫·傅,亞歷山德拉·西爾,里根·菲茨杰拉德牯嶺街少年殺人事件
張震,楊靜怡,張國柱,王啟贊,林鴻銘,金燕玲,王琄,張翰,姜秀瓊,賴梵耘,柯宇綸,譚志剛,馮國強,陳湘琪,金士杰航越地平線
妮可·基德曼,山姆·尼爾,比利·贊恩懸案密碼3：信仰的陰謀
尼古拉·雷·卡斯,法瑞斯·法瑞斯,帕爾·斯維爾·哈根,雅各布·豪伯格·羅曼,阿曼達·科林,約翰·路易斯·施密特,雅各布·奧福特布羅,索倫·比爾馬克,邁克爾·布羅斯楚普,莫滕·基爾斯果,洛特·安德森像這樣的夜晚
亞歷山大·林肯,杰克·布雷特·安德森,大衛·布拉德利,Jimmy Ericson,貝絲·里朗斯,凱恩·薩里,Eloise,Sam Jochim,Rizwan Khan,Harriet Olivia-Wilson同類推薦
次世代機動警察：首都決戰
真野惠里菜,福士誠治,筧利夫,太田莉菜,千葉繁在毫無征兆的一個晴朗日子，一枚導彈筆直飛來，將國際大都會東京都內極具代表性的彩虹橋炸為兩截。該事件在都內引起不小的騷動，此后不久，警視廳公安部外事三課的警部高畑慧（高島禮子 飾）帶著相關視頻資料找到藤田繼次（筧利夫 飾）所統率的特車二課，經分析發現這次襲擊來自于那架自衛隊不久前失竊的新型戰斗直升機AH-88J2改“灰色幽靈（Grey Ghost）”。經高畑之口得知，該恐怖事件與拓植行人、灰原零（森カンナ 飾）有直接的關系。而在紛亂的實踐中，特車二課則面臨著被撤消的危險。 東京一千萬人口淪為暴動分子的人質，面對前所未有的危機，泉野明（真野惠里菜 飾）和她的LABOR能否力挽狂瀾？
家用攝像頭
尹世雅,權赫,阮芳青薇當兼顧工作和撫養孩子的單身母親成熙（尹世雅飾）為她年幼的女兒在整個房子里安裝家庭攝像頭時，奇怪的事情開始了。
靈異醫院
Sara Foster,Cary Elwes,Michael Biehn,Gabriel Mann,Colleen Camp,Winter Ave Zoli,Susie Amy,Katherine Shanklin影片《靈異醫院》講述的是一個有著不堪過去的女人在一家新近倒閉關門的醫院找到了一份核對病人簡歷復印件的工作，而孤獨一人在隔絕的醫院值夜班的過程中她經歷了一些神秘事件。有所警覺的她通過這些事件發現醫院可能和近日出現的謀殺案有關，而要破解這些謎團，首先她需要仔細梳理一下自己混亂的過去。
你行！你上！
姜文,馬麗,張乘郝,王碩瓏,陸一,于和偉,余皚磊,何賽飛,辛芷蕾,雷佳音,葛優,王傳君,胡歌,甄子丹,丁志誠,李屏賓,李子為,曹操,吉娜·愛麗絲這是一對父子的傳奇歷險，也是兩個野心家的一拍即合。從沈陽到美國，從3歲到17歲，彈琴勝似取經，八十八鍵多過八十一難，父子心無雜念，只管埋頭向前，兩人赤手空拳讓美國殿堂藝術精英們刮目相看。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.