不良美少女護工
イケイケのヤンキーが、ひょんなことからヘルパーに…アイドル·木下柚花が魅せる、新しいヤンキーの生き様! 中學を優秀な成績で中退したマリア(木下柚花)は、今日も特攻服を身につけ、ケンカにあけくれていた。そんなマリアの戀人·悠太(吉本輝海)は、暴力団·芳賀興業のチンピラ。ある日、幹部の芳賀(河野智典)は、本家の組長で、いまや寢たきりの又井(飯島大介)が資金源の覚せい剤の隠し場所をにぎっていることから、悠太に又井の世話を命じる。マリアの持ち前の美貌を餌にすれば、又井から情報を聴きだせると考えた悠太は、ヘルパー役をマリアに頼むのだが…そのナチュラルな雰囲気で大人気のトップアダルトアイドル、木下柚花が挑む新“ヤンキー”シリーズ!そこんとこ、よろしく!艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan
即刻觀影
劇情賞析
編輯推薦
萬世英雄
查爾頓·赫斯頓,索菲婭·羅蘭,雷夫·瓦朗,吉內瓦維·佩吉,約翰·弗拉瑟,加里·雷蒙德,赫德·哈特菲爾德,馬西姆·塞拉托,弗蘭克·思林,邁克爾·霍爾德恩,安德魯·克魯克香克,道格拉斯·威爾默,托里奧·卡米納提,拉爾夫·杜魯門,Christopher Rhodes,卡洛·朱斯蒂尼,福斯托·托齊,芭芭拉·埃弗里斯特,尼里奧·貝爾納迪,赫伯特·羅姆,歐米洛·康帕納,Antonio Mayans,保羅·穆勒,保羅·納什,歐露莎爾芭·奈麗,維爾吉里奧·特謝拉故事發生在1080年的西班牙,彼時的西班牙并沒有統一,而是分為三個互不干涉彼此國家政務的小國。盧利歌(查爾登·海斯頓 Charlton Heston 飾)因為暗中放走了國王卡斯提爾下令處死的摩爾人酋長而遭到了國王的厭惡。在一場意外之中,盧利歌不小心殺死了未婚妻吉米娜(索 菲婭·羅蘭 Sophia Loren 飾)的父親,導致兩人的情感破裂。 不久之后,盧利歌所在的國家遭到了別國的侵略,盧利歌奮起反擊保護自己祖國領土的完整,最終將敵人擊退。然而壞事成雙,卡斯提爾的去世讓兩名王子阿爾福斯(約翰·弗拉瑟 John Fraser 飾)和桑科(加里·雷蒙德 Gary Raymond 飾)開始爭奪王位,好不容易恢復的和平再一次遭到破壞。
暗夜良人
何乙軒,李運佳,周舟,黃娟,楊坤銳,李延,王淵,王正佳,劉錦,李一明,張依珂,季李,田雨,周小鵬,許之糯,呂一丁,張京海,徐福來,常征,孔慶三,邊防,杜伯,蘇強,王俊潾,高果,孫博,劉建軍,梅景洪,李少林,高玉林,張業福,蘇佳男,楊瑞承,吳梓銘,田甲右,劉欣剛,岳陽民國年間,張千月(楊坤銳飾)新婚之后進省城投奔同鄉王明堂(李運佳飾),不成想晚上房間內發現床下有一個死尸,大批警察帶走了旅社老板宋成安(周舟飾)、老板娘翠姐(黃娟飾)、住客顧滿倉(王淵飾)、孫興福(王正佳飾)、梁程思(劉錦飾)、門房老胡(季李飾)及房間內的張千月與王明堂。鄉下的新婚妻子白秀英(何乙軒飾)與老父親張廣林趕至省城聽審,老父親接受不了這個嚴重的打擊氣絕身亡。這里面有不可告人的秘密。傳說冤魂索命,這個事情不簡單。一間旅館、一個女尸、一群平民引發了一個意料之外的故事,展現了民國時期,灰暗的年代,軍閥割據,官匪勾結,生活在社會底層的各種普通百姓,掙扎在水深火熱之中,各種生活的無奈與社會現實的交織,人為了生存所做的一切掙扎.....一個投親的少女靈芝(張依珂飾)引發了當地惡霸朱天久(李延飾)皮三(邊防飾)殘忍殺戮,牽扯無辜百姓,勾結當地警長康大鵬(周小鵬飾)利用貪官(高果飾)歪曲事實,殘害無辜百姓,法官(常征飾)(杜伯飾)命懸一線。關聯人李婉兒(李一明飾)四散逃命,江湖騙子(孔慶三飾)渾水摸魚。更牽動大批愛國志士(許諾飾)(張玥飾)刺殺大帥龐金龍(張京海飾)督軍孫連勝(呂一丁)為百姓申冤報仇!這一切的來龍去脈都由一名說書人(徐福來飾)娓娓道來。
第27天生死劫
吉恩·巴瑞,Valerie French,喬治·沃斯科維奇,阿諾德·莫斯,Stefan Schnabel,拉爾夫克蘭頓,Friedrich von Ledebur,保羅·伯奇
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
致命塔羅
阿凡提卡·萬達納普,雅各布·巴特朗,歐文·弗熱瑞,哈里特·斯萊特,亨伯利·岡薩雷斯,拉森·湯普森,阿丹·布拉德利,沃爾夫岡·諾沃格拉茨,斯塔薩·尼科利奇,詹姆斯·斯旺頓,艾倫·韋爾斯,桑西卡·米拉諾維奇,喬絲·卡特一群青年肆無忌憚地違反了塔羅牌的規則,釋放了牌中的可怕惡靈,他們一個接一個地面對命運的審判,使得最終陷入了一場與死亡的賽跑。
羞恥惡魔
西蒙·飛利普斯Jack escapes jail and head to New York city to track down an old flame who has disappeared under mysterious circumstances.